The weight of One Self de Michael Elmgreen & Ingar Dragset devant le Palais de Justice
Conçue par les artistes Elmgreen&Dragset, l'œuvre The weight of One Self installée devant le Palais de Justice reprend la longue tradition de la sculpture : le nu héroïque et le marbre. Par son échelle, supérieure à l'échelle humaine, cette sculpture de 2,7m de haut fait également fonction de repère dans le paysage. Découvrez l'installation de cette oeuvre troublante qui suscite maintes préoccupations philosophiques qui font écho aux questions de responsabilités civiques et individuelles débattues quotidiennement au Palais au Justice.
Top 10 1000 Ways To Die Deaths
There are 1000 Ways To Die deaths to choose from, but we can only single out 10. We'll be ranking the craziest, wildest and most gruesome death scenes that were featured on the Spike series, 1000 Ways to Die. Deaths from every season will be considered for this list, just so long as they left one serious impression upon audiences and fans. WatchMojo ranks the most insane 1000 Ways to Die deaths. Which 1000 Way to Die death shocked you the most? Let us know in the comments!
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How to Carve Skis - Take Your Skiing to the Next Level || REI
Learning how to carve turns on your skis is a key skill that enables you to explore the entire mountain and have more fun while you’re at it. In this REI Expert Advice video, Mac Lyon, of the Professional Ski Instructors of America, explains the three phases of a turn and how to angle your skis in order to carve.
Check out REI’s selection of skis at rei.com/c/downhill-skiing
Carving is one of the best ways to stay in control while skiing all over the mountain. If you're a beginner, or still skidding your turns, learning to use your edges to carve is exhilarating, and opens huge fun on the mountain. To start carving turns, there are two skills to focus on: Rolling your knees and ankles, and keeping your weight forward. Every carved turn has three parts. The start of each turn is the initiation. Most of the actual carving happens in the shaping, and the end of the turn is the finish, where you dial back the power to prepare for the next turn.
In the initiation phase, rolling your knees and ankles starts by pointing your knees down the hill and rolling onto the big toe of your new outside foot as you start to weight that ski and engage its edge in the snow. Through the shaping of the turn, think about driving your knee toward the toe piece of your binding. That force transfers through the cuff of your boot and into your ski, bending it and carving your edges into the snow. The more pressure you put on your boot, the tighter the turn. On steeper terrain, or at faster speeds, you'll find a good carve takes more effort. On low angled slopes it's more relaxed. At the finish of each turn, you release the pressure you've built up by rolling your knees and ankles upright again, and shifting your weight to your new outside ski to prepare for your next initiation.
Keeping your weight forward throughout the whole turn is key to staying balanced and in control. While carving, you kind of feel like you're squatting over a chair. Your knees are bent, and your upper body is straight and slightly forward. Staying forwards means maintaining that position, even as the slope gets steeper. If you lean back, especially on steep runs, when you naturally want you, your skis run away from you, and you end up losing control. In the initiation, start bringing your hips forward and down the hill. As you shape the turn, keep your head and shoulders pointing down the hill in the direction you're skiing. Your lower body is twisting under you, but your upper body stays still and pointed downhill. In the finish of each turn, your upper body is still facing downhill, but your skis and your lower body are pointed across the slope. This is a perfect position for initiating your next turn.
There's a lot to think about when you start carving, but keep practicing. Remember to roll your knees and ankles, and keep your weight forward throughout one turn and into the next. Pretty soon, it becomes a rhythmic dance. As each turn initiates, it gets more powerful in the shaping, and backs off at the finish.
Ann Hamilton
Ann Hamilton presented a lecture on her nearly 30-year career as part of the Diamonstein-Spielvogel Lecture Series at the National Gallery of Art on September 16, 2011. Hamilton has made multimedia installations with stunning qualities and quantities of materials: a room lined with small canvas dummies, a table spread with human and animal teeth, the artist herself wearing a man's suit covered in a layer of thousands of toothpicks. Along the way, she has constantly set and reset the course of contemporary art. Often using sound, found objects, and the spoken and written word, as well as photography and video, her objects and environments invite us to embark on sensory and metaphorical explorations of time, language, and memory. Textiles and fabric have consistently played an important role in her performances and installations—whether she is considering clothing as a membrane or (more recently) treating architecture itself as a kind of skin. The Gallery owns 15 works by the artist, including photographs, prints, sculptures, and a video installation.
The Artist's Voice: William Forsythe | ICA/Boston
#ICABoston #WilliamForsythe
Choreographer William Forsythe reflects on his career and recent ICA exhibition of Choreographic Objects. For the past forty years, Forsythe has established himself as a choreographer and a leader and innovator in the world of ballet. In addition to the art of dance, he has been conceiving interactive installations and video works that encourage viewers to engage their bodies in choreographic participation. This conversation was hosted at the Institute of Contemporary Art/Boston on February 21, 2019, with the ICA’s Barbara Lee Chief Curator, Eva Respini.
Forsythe’s exhibition “William Forsythe: Choreographic Objects” was on view at the Institute of Contemporary Art/Boston from October 31, 2018 to February 21, 2019.
International Women's Day 2019 | Think Equal, Foster Change | Full Program
THINK EQUAL, FOSTER CHANGE
40 Years Resistance of Iranian Women
~ICWIN 2019 Celebration of International Women's Day~
An Engaging, Educating, and Empowering Event
MC: Bita Milanian
Keynote Speakers: Anna V. Eskamani (D) , Ida V. Eskamani
ICWIN Delegate Speaker: Ruja Moshtaghi
Performances by: Shadi Amini, Narges Jajarmi, Ponthea Zahraii
Follow us/ Contact us:
FB: Iranian-Circle-of-Womens-Intercultural-Network-ICWIN
IG: Iranian Circle of WIN (ICWIN5)
Web:
Email: icwin@winaction.org
About WIN/ICWIN:
Women Intercultural Network “WIN” was established in 1995 and is a 501© (3) NGO consultative to the United Nations Economic and Social Council. It was founded by Aileen Hernandez, second president of NOW and the only woman to serve on the Equal Employment Opportunity Commission and Marilyn Fowler, WIN CEO and President. WIN is not an organization; WIN is a network that organizes.
ICWIN's Mission | ICWIN's mission is to promote Gender Equality and encourage Girls and Women to Collaborate and Be Bold for Change by discussing and presenting topics related to gender equality in a global framework.
The Circle aims to coordinate programs and community-building activities which inspires advocacy, raises awareness and unites against all forms of violence. Through collaboration, we aim to create an environment that wisdom, experience and innovation of various generations can open doors, find solutions and keep the light of feminist movement alive.
ICWIN believes that while women share universal issues and struggles, they also have unique issues and struggles within their own socio-political communities and individual lives.
Kayla - A Cry in the Wilderness
#familyfilms #familymovies #kayla #threedogwinter #dogs #dogmovies
To own Kayla on DVD -
Kayla is a family film that makes you feel good. It focuses on a young boy who still cannot accept his father’s eight-year-old disappearance and apparent death. He cries out for solace, while keeping his mother and well-meaning stepfather at a stony-faced distance. Then, one day, in the snowy wilderness, he encounters a wolf that looks exactly like the dog that led his father’s sled team. Despite the hostility of the townspeople, who fear the wolf will devour more of their livestock, the boy bonds with this dog, Kayla, who teaches him about love, loyalty, and self-sacrifice. Based Elizabeth van Steenwyk's novel Three Dog Winter.
Interview with Leonard Slatkin
Conductor Leonard Slatkin discussed his career, the future of orchestras and community engagement, arts education and the Leonard Bernstein Centennial, in conjunction with the release of his new book Leading Tones: Reflections on Music, Musicians and the Music Industry.
Speaker Biography: In 2017-18, internationally acclaimed conductor Leonard Slatkin celebrated his 10th and final season as music director of the Detroit Symphony Orchestra, and his first season in the new role of directeur musical honoraire with the Orchestre National de Lyon. He also published his second book, Leading Tones: Reflections on Music, Musicians and the Music Industry, and serves as jury chairman of the Besançon International Competition for Young Conductors. Slatkin has received six Grammy awards and 33 nominations. A recipient of the prestigious National Medal of Arts, Slatkin also holds the rank of Chevalier in the French Legion of Honor. He has received Austria's Decoration of Honor in Silver, the League of American Orchestras' Gold Baton Award, and the 2013 ASCAP Deems Taylor Special Recognition Award for his debut book, Conducting Business. Slatkin has conducted virtually all the leading orchestras in the world. As music director, he has held posts in New Orleans, St. Louis, Washington, London and Lyon, France. He has also served as principal guest conductor in Pittsburgh, Los Angeles, Minneapolis and Cleveland.
For transcript and more information, visit
Teresa Shurilla
Chef Teresa Shurilla, Sugar Work, at Leeward Community College
Clarice Smith Distinguished Lectures with Sarah Sze
Sarah Sze constructs extraordinary sculptures through an intricate assemblage of household objects. Her site-specific installations defy gravity in towering formations of mixed materials, and the contrast between small objects and large compositions explores the boundaries between art and everyday life. Sze was born in Boston and received her MFA from the School of Visual Arts in New York. Her work has been exhibited internationally for over a decade, and she is the 2003 recipient of the MacArthur Genius Award. She currently lives and works in New York.
La maman et la putain (Jean Eustache, 1973)
Vlog de calatorie: Franta | 8 zile in Paris - partea II
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Partea a doua din vlogul frantuz e aici :D Avem astazi Versailles, Gradinile Luxembourg, un pic de shopping si impresiile de final.
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The Hunchback of Notre Dame Audiobook by Victor Hugo | Audiobook with Subtitles | Part 1
The Hunchback of Notre Dame
Victor HUGO , translated by Isabel Florence HAPGOOD
One of the great literary tragedies of all time, The Hunchback of Notre Dame features some of the most well-known characters in all of fiction - Quasimodo, the hideously deformed bellringer of Notre-Dame de Paris, his master the evil priest Claude Frollo, and Esmeralda, the beautiful gypsy condemned for a crime she did not commit. (Summary by Mark Nelson)
Genre(s): Literary Fiction
Chapters:
00:00:30 | 1. Preface and Book 1: I - The Grand Hall
00:39:41 | 2. Book 1: II - Pierre Gringoire
01:03:14 | 3. Book 1: III - Monsieur the Cardinal
01:20:56 | 4. Book 1: IV - Master Jacques Coppenole
01:44:03 | 5. Book 1: V - Quasimodo
02:01:39 | 6. Book 1: VI - Esmeralda
02:07:15 | 7. Book 2: I - From Charybdis to Scylla
02:14:16 | 8. Book 2: II - The Place de Grave
02:20:34 | 9. Book 2: III - Kisses for Blows
02:46:46 | 10. Book 2: IV - The Inconvenience of Following a Pretty Woman through the Streets in the Evening
02:58:04 | 11. Book 2: V - Result of the Dangers
03:03:43 | 12. Book 2: VI - The Broken Jug
03:51:55 | 13. Book 2: VII - A Bridal Night
04:15:40 | 14. Book 3: I - Notre-Dame
04:38:32 | 15. Book 3: II - A Bird's-eye View of Paris
05:45:06 | 16. Book 4: I - Good Souls
05:54:18 | 17. Book 4: II - Claude Frollo
06:07:46 | 18. Book 4: III - Immanis Pecoris Custos, Immanior Ipse
06:28:26 | 19. Book 4: IV - The Dog and his Master
06:31:52 | 20. Book 4: V - More about Claude Frollo
06:47:48 | 21. Book 4: VI - Unpopularity
06:50:08 | 22. Book 5: I - Abbas Beati Martini
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----------------------------------------------------------------------------------------------------- Audio Book Audiobooks All Rights Reserved. This is a Librivox recording. All Librivox recordings are in the public domain. For more information or to volunteer visit librivox.org.
Casanova: The Seduction of Europe Symposium
Welcome and Introductions—Eric M. Lee, director, Kimbell Art Museum and George T. M. Shackelford, deputy director, Kimbell Art Museum
Introducing Casanova: The Man and His World—C. D. Dickerson, head of sculpture and decorative arts, National Gallery of Art, Washington, DC
The Lust for Luxury—Thomas Michie, Russell B. and Andrée Beauchamp Stearns Senior Curator of Decorative Arts and Sculpture, Museum of Fine Arts, Boston
Dress and Undress—Pamela A. Parmal, David and Roberta Logie Curator of Textile and Fashion Arts, Museum of Fine Arts, Boston
Canaletto and Tiepolo: An Odd Couple—Frederick Ilchman, Chair, Art of Europe, and Mrs. Russell W. Baker Curator of Paintings, Museum of Fine Arts, Boston
Casanova in Pompadour's Paris
Esther Bell, Robert and Martha Berman Lipp Senior Curator, Clark Art Institute,
Williamstown, Massachusetts
The Daily Sack Movie
Hack on actors and celebrities including myself and family.
Suspense: Mortmain / Quiet Desperation / Smiley
The program's heyday was in the early 1950s, when radio actor, producer and director Elliott Lewis took over (still during the Wilcox/Autolite run). Here the material reached new levels of sophistication. The writing was taut, and the casting, which had always been a strong point of the series (featuring such film stars as Orson Welles, Joseph Cotten, Henry Fonda, Humphrey Bogart, Judy Garland, Ronald Colman, Marlene Dietrich, Eve McVeagh, Lena Horne, and Cary Grant), took an unexpected turn when Lewis expanded the repertory to include many of radio's famous drama and comedy stars — often playing against type — such as Jack Benny. Jim and Marian Jordan of Fibber McGee and Molly were heard in the episode, Backseat Driver, which originally aired February 3, 1949.
The highest production values enhanced Suspense, and many of the shows retain their power to grip and entertain. At the time he took over Suspense, Lewis was familiar to radio fans for playing Frankie Remley, the wastrel guitar-playing sidekick to Phil Harris in The Phil Harris-Alice Faye Show. On the May 10, 1951 Suspense, Lewis reversed the roles with Death on My Hands: A bandleader (Harris) is horrified when an autograph-seeking fan accidentally shoots herself and dies in his hotel room, and a vocalist (Faye) tries to help him as the townfolk call for vigilante justice against him.
With the rise of television and the departures of Lewis and Autolite, subsequent producers (Antony Ellis, William N. Robson and others) struggled to maintain the series despite shrinking budgets, the availability of fewer name actors, and listenership decline. To save money, the program frequently used scripts first broadcast by another noteworthy CBS anthology, Escape. In addition to these tales of exotic adventure, Suspense expanded its repertoire to include more science fiction and supernatural content. By the end of its run, the series was remaking scripts from the long-canceled program The Mysterious Traveler. A time travel tale like Robert Arthur's The Man Who Went Back to Save Lincoln or a thriller about a death ray-wielding mad scientist would alternate with more run-of-the-mill crime dramas.